Knitted Flowers are the quintessential quick knit. Add knitted flowers to anything old, new, hand-made, ready-to-wear, unapologetically for you, and that made-to-be-special heirloom gift.
While a scarf of simple construction takes days, or much much longer if it is made in fingering weight yarn and has any sort of color-work, short rows, or gradient color changes and patterning so popular now. Brioche can take weeks.
Flowers, on the other hand, require a few hours, or as little as 20 minutes. I was sitting at the kitchen table the other day making Camellias and Bling Flowers (Cherry Blossoms by another name) in different gauge yarns, from fingering to worsted-weight, so as to achieve a variety of sizes, from delicate cherry blossoms to . . . one right after another.
The picture below shows a purse I recently made: a W purse in Hot Pink with 2 beaded Camellias and many Bling Flowers. After beading all those flowers, I decorated the purse in an extravagant way.
Picture a 6-8-10 bag in white and pale green for a spectacular bridal keepsake purse. Or Grace Kelly’s Overnight Bag in black and grey for a gallery opening, or in palest blue with a bright garden of flowers in the colors of sorbet as a Mother’s Day gift.
For smaller, quicker gifts, I make pairs of flowers, sew them onto flower clips and give them as decorations that can be used singly or in pairs to adorn sandals, one’s hair. . . the neckline of a favorite t-shirt. Here is a picture of a purchased ruffly scarf decorated with a single beaded bling flower.
How long does a Bling Flower take to make? you might be wondering.
I timed myself. It took between 15 and 30 minutes to make each worsted-weight Bling Flowers on a size 6 needle. It didn’t take long for me to memorized the pattern. That’s a speedy hand-knitted gift. You could have a lovely hostess gift flower clipped to a bottle of wine or jar of tasty Sundried Tomato bread spread done in less than an hour.
Knitted flowers are a beautiful and economical gift that allow you to demonstrate your devotion to loved one in a heartfelt way. That’s the best kind of gift.
I have gotten a few questions about how to put felted purses into purse frames (6-8-10, W, Lipstick & Change, Big Flirt . . . and so many others). Here is a step-by-step photo-tutorial that shows how to put a purse into a sew-hole frame that has a slot.
First, Gather together the necessary materials on a clean, well-lit working surface: a clean paper towel to protect your work surface, your slightly damp purse, fabric glue, purse frame, beads, beading thread, a sharp thin-gauge needle, a pair of thread nippers (pictured here) or scissors, and a metal double-pointed needle or tapestry needle (top poke the purse into the frame slot).
Gluing The Purse Into The Frame
Step 1: Apply the Glue to the Frame one side at a time. The first step is to put a line of glue into the slot of the purse frame, particularly on the “solid” side of the frame that does not contain sew holes.
NOTE: Do not put glue in both sides as it is very easy to end up with glue on your purse where you don’t want it. Also important: DO NOT USE TOO MUCH GLUE. In other words, it is not necessary to fill the slot. Just a single slim line of glue on the non-hole side will more than do the trick. More important than getting a lot of glue is that you are using the correct glue. Use fabric glue (Liquid Stitch is a good choice). The bottle you see here is Liquid Fusion. I like it very much. It has a nice consistency, stays put, and works on fabric and other materials for a good hold. Elmer’s Glue is not strong enough. Gorilla glue makes a mess.
Place the frame, front side down, on the paper towel. Then arrange the first flap (right side down on the paper towel) so that it is ready to be poked into the frame.
I like to begin by poking one side of the purse and then the other into the frame side with the tip of a double-pointed needle or tapestry needle. I do this so that I know how much of the purse flap fabric needs to be distributed evenly across the frame. In the above photo, the middle part of the purse flap is positioned to insert into the frame.
In the above picture, I have started to insert the frame has not yet been poked into the frame. As I poke it in, I make sure that the fullness of the flap is distributed across the entire frame. It is easy to move the tip of the needle from left to right or right to left in order to distribute the fabric evenly. Below is a picture of this process once it is complete – NOTE that the folds of the flap are spaced evenly across the frame top. We can still do a little adjustment if necessary at this point and again during the blocking process.
You can check that the purse flap fabric is secure within the frame by turning the frame over so you can see the right side/whole side of the frame. If the purse is “in” the frame, you will see the color of the purse fabric through the sew holes. Dark holes, holes in shadow, mean that the purse flap has not been sufficiently poked into the slot. Simply poke the fabric in yet again.
To ensure that the purse stays put inside the frame as the glue dries, baste the purse in place using a double-strand of sewing or beading thread and a sharp needle. For good results, simply baste around the entire frame. It is not necessary to go through the sew holes at this point as you can see below.
A close up of the basting stitches: you want the stitches to be snug around the frame.
Next, place a line of glue inside the second frame slot, again careful that you put this bead of glue on the non-sew hole side of the slot.
<p value="<amp-fit-text layout="fixed-height" min-font-size="6" max-font-size="72" height="80">I sometimes find that poking the second flap into the frame is more awkward than the first. Mainly because the purse is in the way, you may have difficulty laying the frame down flat. . . so, I try to follow the same procedure: first, poke the sides in, then the top of the flap, distribute the fabric evenly . . . I console myself that the second side is the awkward side and just get the job done any way I can without making a mess. Deep breaths. That's my advice. And do what works. Sometimes you'll be very glad the glue dries clear.I sometimes find that poking the second flap into the frame is more awkward than the first. Mainly because the purse is in the way, you may have difficulty laying the frame down flat. . . so, I try to follow the same procedure: first, poke the sides in, then the top of the flap, distribute the fabric evenly . . . I console myself that the second side is the awkward side and just get the job done any way I can without making a mess. Deep breaths. That’s my advice. And do what works. Sometimes you’ll be very glad the glue dries clear.
Don’t Skip the Gluing Step: Here’s Why
I did see a posting somewhere that a Lipstick and Change maker had skipped the gluing step . . . I do not think this is wise. She seemed to think it would save her time or that she was giving in to laziness. The gluing step is possibly the quickest of the finishing steps. AND it is essential for keeping the purse in the frame should the “sewing in” part of the purse construction be compromised in some way.
I would not want to be be walking down the street and have a corner of my purse come undone with no glue to keep it in place.
The purse will be held in the frame by the glue alone if you have done this step properly. You will see that gluing and basting may take as little as 15 minutes. It’s the sewing that will take more of your time.
Sew The Purse Into The Frame While The Glue Dries
You may be tempted to glue one day and sew the next. I do not recommend this. It is both necessary and easier to sew the purse into the frame using the little beads while the glue dries. As the glue hardens, it becomes much harder to push a needle through it. So, what would normally take an hour can take considerably longer or prove impossible altogether.
Begin Sewing at The Hinge On One Side
The First step is to begin at the hinge of one side. With your double strand of nylon beading thread already on the needle and a knot at the end, put your needle into the purse frabric and then into a hole from inside to outside. You will have to angle your needle somewhat to get it through the hole. Getting the right angle sometimes is awkward and annoying. Sometimes, one might be inclined to think she is doing something wrong . . . this step requires a bit of muscle memory, so have patience as you internalize the needle angle.
Once you have come through the hole on the front, put a bead on the needle and then go back through the same hole out of which the needle just came.
Repeat this process around the entire frame. You may also want to catch a bead on the inside of the purse in the same manner as you have done on the outside. It makes for a pretty finish on the inside. If you do not want to do this, you should nevertheless put the point of your needle almost in the same place on the inside of the purse, angling your needle toward the next sew hole so that your stitches are more or less invisible on the inside of the purse.
I sometimes prefer to have beads on the inside as well as the outside, because it is prettier.
Finish off your strand of thread by making a dress-maker’s knot and then traveling inside the felt (see images below) so that you can cut the thread off at the purse with no unsightly ends sticking out.
Once both sides are sewn in place, you can cut the basting thread, pull out the stitches, removing all the basting thread. The purse is now secure in the frame.
Everyone’s getting ready for the Knit-A-Long–this just get’s more exciting!
Let me take this opportunity to make a personal plea to you, kind and gentle knitter, to purchase your own copy of the Ella Coat for Women pattern at your local yarn store.
Those who know me know how passionate I am about copyright laws. Some of you might already feel your attention flagging, but please hear me out. I’ve written here before about how we indy designers make our livings (or try!) from selling patterns. So, while I LOVE the idea of sitting elbow to elbow with a circle of women all squinting to read from a single xeroxed pattern because it builds character and community, it doesn’t put even a crust of bread on the table of the indy designer whose pattern it is or the yarn store who stocks that pattern. I beg of you to reserve such bonding experiences for the free knitting patterns now fluttering hither and yon practically out of car windows.
Noni has solicited the participation of local yarns stores all over the country and internationally to support the Ella Coat Knit-A-Long. They have patterns and appropriate yarns at the ready for you to choose from. Support our efforts with your purchases. Don’t forget how powerful you are in supporting the designers you love and the small business, the local yarn stores, where you make your pattern and other knitting purchases. Purchase patterns with pride: know that you are directly supporting the arts, the work of the designers you buy. You are directly . . . let me say that yet more slowly and passionately (if you were here, you’d see me get a little emotional): you are di-rectly supporting us and your own community.
I speak on behalf of all of us who draft, re-draft, test, tech-edit, re-work, publish designs in hope you will love them, knit them, wear them, and bequeath them: thank you for supporting our work with your time, your passion for knitting, your hard earned dollars.
Thank you for purchasing for your friends their own patterns instead of making copies of yours. Thank you for understanding in your heart of hearts that designs you love are the foundation of our art and for feeling it is more than ever important to demonstrate that understanding by purchasing your very own copy of The Ella Coat for Women pattern.
Now, let me also say this. If you are a woman who would LOVE to participate in this knit-a-long but just simply don’t have the funds to purchase a pattern. And you are even now unraveling sweaters to have enough yarn, please write to me, tell me a little of your story, and I will see to it myself that you have your own pattern. Likewise, if you know a woman who SIMPLY CANNOT afford a Noni pattern, please write to me with your story and I will see what I can do.
So, now that we have all gone to our local yarn stores and we all have our own patterns . . . now we can begin to think about the other needed supplies. . . more about those supplies and also more about yarn in postings coming soon.
Your pattern purchase allows me to keep designing. Thank you and thank you again.