My New Ella Coat: How It Began

It all started with a pair of great boots. Now you shoe and boot people will know exactly what I mean. You see a great pair of boots, you get them, and then you realize that you’ve got to have a coat to go with the boots . . .And a matching bag. It could get nutty. And I find myself even fantasizing a new Medallion Travel Bag, or a new bag altogether. The possibilities know no bounds and I’ve been doing a lot of wishful for knitting time thinking.  Ah, the things I could do!

But the boots. Even strangers in airports (I’ve seen a lot of airports lately) notice and comment on these boots.

My Amazing Boots

These boot do not look so great with my blue-striped Ella . . . See for yourself.

Love the boots. Love the coat. Together, not so much.

I found myself wondering, “Don’t I have this coat in reds? Or too bad these boots don’t come in a blue version.”

So, I began to devise my plan for a new Ella. It was the beginning of October, just starting to be knitted coat weather, and I was going on a 1-week/4-shop teaching tour of California. Perfect knitting time. Long plane ride, late nights knitting in Best Westerns accompanied by the sort of TV I never otherwise watch: Say Yes to the Dress. I can’t adequately explain why I love this show so much when I am away teaching. Maybe because it’s perfect knitting television: not too boring, not too interesting, not too emotional, not gory and sad like true crime . . . it’s strangely neutral but nicely plot driven.

As I packed for the trip, I started grabbing balls of yarn left over from all the flower knitting I did last Fall (more about this soon. . .). I chose mostly Stonehedge Fiber Mill’s Shepherd’s Wool for it’s divine softness and the beautiful color palette. I added a few bits of Tilli Tomas Flurries in Plum, Atlantic, and Rasperry. I had some odd skeins of the now sadly discontinued Tilli Tomas Whistler in Ruby Wine. I chose a delicious melange: Red, Christmas Red, Garnet, Berries, Orange, Hot Pink, Zinnia Pink, Antique Rose, Raspberry, Violet, Blue, Turquoise, Purple, a tiny bit of Lakeshore, some Lime (one stripe), and some Spring Green (two rows). The picture below is the balls in my Medallion after most of the knitting was done. Imagine this bag full to bursting. I stuffed it ruthlessly under the seat in front of me on the plane. The coat got bigger, the balls got smaller.

The Medallion Travel Bag with my assortment of colors (much reduced from the pile with which I started).

I knew I wanted the coat to be long and that I wanted to continue the A-line shaping as far as possible, but I didn’t want to figure out all that math ahead of time. And what if I wanted it still longer after all that knitting? So, I decided to start with the bodice instead of the bottom. That would remain unchanged. So, I cast on the stitches for the bodice at the point in the pattern where you would normally bind off the stitches for the skirt, transferring markers to stitches, and then pick up those same stitches, transferring the markers back to their rightful places. All I needed to figure out was where to place the markers for the bodice shaping. Not difficult at all! I will include the details of my pattern tweaks in a separate entry entitled, unceremoniously, My Ella Coat Pattern Tweaks Unveiled. Warning: they will mean little if you don’t already have the pattern. If you do have the pattern, I will orient you to the right locations and it will all be clear. If not, comment on the post and I’ll get you all sorted.

The bodice went quickly and it was almost as satisfying as a top-down garment. I could try it on and see it fit.

Next, I picked up stitches in the cast on edge of the bodice so that the front half of the stitch was visible on the outside of the garment. I like how the structure of the bind off is visible here and provides subtle empire shaping–a flattering style for most any figure. Garments that have the waist located just above the natural waist are always more flattering because the skirt then skims over the waist and hips. Lovely. Here’s how that detailing looks:

By starting with the bodice and then picking up stitches to knit the skirt of the coat down, I didn’t have to worry about finished length, about the ruffle at the bottom . . . I could just enjoy the process of striping (never has stockinette been so much fun! I tell you, I loved every minute of it because I didn’t chart out the stripes. I striped as the fancy struck me, so there are similarities in the patterns that arose, but no pattern is repeated. I kept trying it on with my crazy boots until the length seemed just right. . .

It will be Thanksgiving tomorrow and I had had a hope I could wear it to the feast, but, alas, the sleeves are only just finished and not yet seamed, so perhaps late in the evening tomorrow I will have time to weave in some ends, seam those sleeves using the tails of like colors for a prettier seam, and then set them in. It will be ready for its maiden voyage next week.

For more about this project, look for my posts (coming very shortly) about An Argument for More Ruffles! and My Ella Coat Pattern Tweaks Unveiled . . .


5 thoughts on “My New Ella Coat: How It Began

  1. LOVE THESE BOOTS! They seem to scream “Knit a fantastic coat to wear with me!”. And it is such a treat to get to peek inside your knitting bag! Wouldn’t it be fun to get a peek in everybody’s bag to see what they are putting together?
    Looking forward to An Argument for More Ruffles… Can. Not. Wait.

    • So glad you like the boots and the coat! These boots can be found in the red stripes like I have and also in black. Google the brand “Vivanz” and the shoe name is Barbara.

  2. Those boots are AMAZING! I cannot wait to see the finished coat. I would love to have those boots in black for Christmas!!

  3. I bought them in clogs a few years ago and I wear them so much and they are so comfortable… the boots must be amazing as well. I love the comfort!

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